Gmund is one of the best paper manufacturers in Europe and while I don’t see many “Gmund” branded products, their paper is often a top choice for use in custom stationery and correspondence as well as high end business brochures and packaging.
Gmund is based in Gmund am Tegernsee, Germany and can trace it’s roots back to 1829. With over thirty product lines (each with numerous variations) there is a wide variety of offerings, everything from the high-tech to the traditional.
The book I am reviewing today is the Bavarian Book with the Vichy-Deer pattern. The linen fabric on the cover is supposed to resemble a fabric that would be used on a Dirndl (a traditional Bavarian dress).
The notebook is an A5 size with 120 blank pages (60 leafs) that are held together with a sewn binding. The softcover is flexible and the linen fabric provides a nice tactile feel.
The Gmund logo is debossed on the back of the cover.
The bright white pages are pretty thick (thicker than 80 GSM Rhodia paper) and hold fountain pen ink well with almost no ghosting. I did notice a hint of bleed-through with the ultra wide 2.4mm Pilot Parallel but for any normal point you should be just fine.
The binding is quite good and with a little use lies flat (as you can see in the pictures).
The design and feel of this notebook are standouts for me and a welcome change from the wonderful Japanese books I have been using a lot lately. The neon green deers, bookmark, and pastedown are great accents to the grey vichy (gingham) cover and bright white pages.
The Bavaria Book costs about $14 and can be purchased at Gmund’s website. Shipping is from Germany and although it isn’t too expensive, it did persuade me to order a few extra things that I will be reviewing in the coming weeks.
Kaweco is famous for its pocket-size pens but they also make a number of nice full-size pens including the Elite I am reviewing today.
I was drawn to the Elite’s large nib, that Kaweco refers to as a size 250 (Bock #6). Most Kaweco pens including many of their other full-size models use a much smaller nib that Kaweco calls size 060, similar to a Bock #5. Kaweco also makes a 14kt solid gold 250 nib but it is not sold with any of their standard pens. You have to buy this nib separately and unlike the steel version, you only get one nib grade, medium.
You may have noticed that my review title says 18kt gold, this is because I ordered a 14kt nib and received an 18kt nib instead. This particular nib is not listed in their parts catalog. From what I can tell the nib I received is an 18kt gold stub nib from the beautiful $1,500 Kaweco King Limited Edition fountain pen. Now that we have sorted out what I am reviewing here, let’s get to the pen.
The Elite features a hand-polished faceted black piano lacquer acrylic body. The acrylic is turned from a single block. I imagine that “black piano lacquer” refers only to the color and high gloss and not the actual use of lacquer. The cap is is chrome and features a black finial with a silver Kaweco “jewel”. This same jewel is also found on the end of the barrel. “Kaweco Elite GERMANY” is printed on the cap in black letters.
I like the design of this pen; it looks modern and professional. The high gloss acrylic feels silky smooth to the touch. The clip is high quality with a clean imprint and no rough areas.
Even under the clip the finish is flawless. I also like the knurling on the bottom of the barrel.
The Kaweco logo “jewels” on the top of the cap and end of the barrel are not as crisp as I would like and when I compared it to my vintage Kaweco Sport there was a noticeable difference; a small gripe but none-the-less worth pointing out.
The Elite weighs approximately 39 grams with the cap responsible for 18.5 of them; this makes the Elite on the heavy side. To use this pen comfortably I had to write with the cap off.
Posting the cap makes the pen very top heavy and the cap does not sit very far down the barrel, so it’s length exacerbates the balance problem.
With the cap off the Elite is very comfortable with its long acrylic grip section. The Elite measures 13.8mm long capped and about 13.4mm uncapped.
The 18kt gold nib is writes smoothly and is a good performer. I find that it does write on the drier side (something I will likely adjust later) and that it can take a bit of work to get the ink flowing when a new cartridge is inserted. Once it starts flowing the nib works great and is a pleasure to write with. The 18kt gold nib has some spring but I wouldn’t say that it’s particularly soft.
The nib shares the same plastic feeder as the steel nib. The nibs are threaded like those from Pelikan and Aurora, making nib swaps a breeze.
The Elite can hold two short international cartridges and interestingly there is a spring inside the barrel, something I haven’t seen on any other fountain pen. This spring is useful in getting the second cartridge out of the barrel.
The Elite is not sold with a converter. I tried a standard Bock converter which fit onto the section but was too fat for the barrel. Luckily I have a Kaweco converter and surprise, surprise, it fit. I did find that the converter regularly removed the spring when I unscrewed the section. I would recommend removing the spring if you use a converter.
The Elite fountain pen has a street price of $150, while the 14kt gold nib (again, only sold separately) costs about $200. In the $150 price bracket there are lots of excellent pens, like the Lamy 2000 and the Pilot Vanishing Point. I find that Kaweco Elite stands up to these pens nicely. It really comes down to preference.
But what about the $200 gold nib? The problem for me is that the steel nib is really good. If we were talking an extra $50 then I would go for the gold but from a writing perspective the gold nib isn’t enough of an improvement to justify it’s high price.
Please note: this pen was provided to me by Kaweco at a subsidized cost for purposes of this review.
Here are some other great reviews of the Kaweco Elite fountain pen:
(I have no affiliation with any of the sites linked below)
Stálogy is a stationery brand that isn’t particularly well known outside of Japan. They have only been around for a few years and while their line is small, they produce unusually well-executed products.
The #018 Editor’s Series 365 Days Notebook (yes, that’s a mouthful) caught my attention with it’s detailed half jacket that highlights its unique features.
When I picked up the sample notebook the first thing I noticed was how thin the pages were. Packing 368 pages (184 sheets) into a 14mm thick notebook is impressive. For comparison, my favorite Kokuyo Century Edition notebook only fits 140 pages (70 sheets) into 11mm and with a little bit of math at 14mm the Kokuyo would only hold 178 pages; that’s less than half the Stálogy.
The next thing I noticed was the thirty dollar price tag, yikes! Naturally I convinced myself into buying it; I mean, it has double the pages so really thirty bucks isn’t that bad…right?
Apart from the thin pages this notebook features a free daily dairy. The top of each page lists months, days of the week, and numbers 1-31 so that you can highlight or circle the appropriate date. The 4mm grey grid has the numbers 0-24 printed on every other line; this is a 24 hour timeline.
I found the calendar to be unobtrusive when I just wanted to take notes but also quite useful when I wanted to keep track of my day.
The paper’s performance was very good but being so thin there are some limitations. I would consider this to be fountain pen friendly paper though with my wider nibs I did notice some bleeding and on the really wide 2.4mm nib on my Pilot Parallel there was feathering.
There is also some show through. It’s not as bad as you get on Tomoe River paper but it’s noticeable.
With the stitched binding, flexible spine and tiny signatures there is no denying that this is a very high quality notebook, one that warrants its high price.
Would I buy another one? For home use there are other notebooks I like better (like the Kokuyo I mentioned above) but if I wanted to carry a lot of pages in a small package this could be a very good choice.
I am currently on a month-long trip to South East Asia.
I am bringing my OMAS Ogiva Guilloche fountain pen filled with Sailor Souten ink and carrying it in a black leather Kingsley pen pouch. LIFE Air Mail stationery as well as one of Word. Notebooks’ new “The Adventure Log” journal. As always, I am bringing my travel documents in a Midori Traverler’s Notebook; this time I will have a Cartier Pasha rollerball in the pen loop.
Lastly, the non-pen items: Fujifilm GA645i medium format camera, Breitling Superocean watch, and two Rimowa Limbo cases.
Danitrio is perhaps the biggest name in Maki-e pens outside of the main three Japanese makers (Pilot/Namiki, Platinum/Nakaya and Sailor).
Danitrio Maki-e pens are not an entirely Japanese product. The company is based in California and the pens, as far as I know, are manufactured and painted in Japan but use Bock nibs from Germany…so it’s a multinational effort to put one these pens together.
I have been eyeing a Danitrio for a while as they offer very good value for money. While they are by no means cheap, they are considerably less expensive than most comparable Japanese pens.
One of the great things about Danitrio is that they offer their pens in a large number of shapes and finishes.
Despite having similar dimensions to a Montblanc 149, the Hakkaku is one of Danitrio’s smallest models measuring 13.5cm long and 1.5cm wide.
The ebonite body has a faceted flat top design. The dark Midori-dame finish softens the look of the facets. A lighter color would do a better job of accentuating this pen’s shape.
The clip is sprinkled with gold flakes and painted in the same midori-dame finish as the body. I am not a big fan of flowers but I kept coming back to this ancient flower design.
It is very well balanced and looks great against the green background.
This pen (I am told) uses a Togidashi Maki-e technique.
The finish quality of the Hakkaku is comparable to Nakaya. It’s not perfect like a Namiki pen; it has more of hand made look and feel to it. The threading is smoother than on my Nakayas and unlike my Nakaya Naka-ai Negoro the design always lines up when I put the cap on.
The section is signed with the artist’s signature.
The #6 size nib is solid 18kt gold and produced by Bock in Germany.
The fireball design looks great. The nib has a fine point and is considered one of their “soft” nibs. The nib is soft and if you apply some pressure you can get some line variation but for me with a light hand I don’t notice much.
The fine point is smooth and writes with a medium line width (typical Bock). If you want a true fine you are better off with an extra fine nib. The nib doesn’t have as much character as those made by Pilot or Platinum but it’s a good performer and if you like a smooth soft nib this one is very nice.
The Hakkaku takes standard international cartridges and comes with a Bock converter.
The feed is plastic (and out of alignment, the dealer has since remedied the problem).
This pen has a retail price of $1,900 and I was able to get it for a bit less than half that. By comparison, a plain urushi lacquer Namiki Yukari Royale runs $1,500 and a Maki-e versions range from about $4,000-$10,000. I am not saying this pen is the same quality as a Namiki (it isn’t) but it is a more affordable way to get your hands on a good quality Maki-e pen.
At the end of the day I am really happy with this pen. It looks and writes great and it was reasonable enough that I don’t worry about using it everyday.
Pilot’s most famous fountain pen is without question the Vanishing Point (aka the Capless). This is the best selling and simply the best retractible nib fountain pen ever produced.
Many models have been introduced since the Vanishing Point’s inception in the early 1960s and the one I am reviewing today is a “Namiki” branded model with a faceted black plastic body and white metal trim. This body style was introduced in the 1970s stayed in production until the late 1990s. This particular Vanishing Point was made in 1997 right before the introduction of the current metal bodied Pilot Vanishing Point in 1998.
This older model (which I will refer to from now on as the “faceted VP”) is much more attractive with its elegantly integrated clip and slimmer faceted body. The current Vanishing Point has a much less harmonious design with bloated clumsy look to it.
The faceted VP is lighter and slimmer, weighing in at 18.5 grams and measuring just 11mm wide (clip not included). The current model weighs in at 31 grams. To my hand the faceted VP is much more comfortable to use.
The nib on this faceted VP is 14kt gold instead of 18kt gold on the current production model. The nib started life with a medium point and was ground into a butter line stub by Pendleton Brown.
This particular grind offers a great combination of usability and writing flair. I have done a number of custom grinds on medium nibs and this one my favorite so far. The nib is so smooth with just a hint of feedback…it’s luxurious.
The converter. These faceted VPs use a squeeze sac converter. It doesn’t hold enough ink so I always use cartridges with the metal cartridge cap.
The current model by comparison uses the Pilot Con-50 which is nicer to use and holds a slightly more reasonable amount of ink.
This is an awesome pen. You can find them used ranging from about $80 to $150.
In a few days I am heading out for a three week trip to South America. I am still keeping it relatively light by bringing just one fountain pen, a Chocolate Brown Pilot Vanishing Point with an “ItaliFine” nib by Richard Binder. The ItaliFine gives you two points on one nib, a regular fine and a 0.9mm italic. I am also bringing Hermes’ new Ebony (brown) ink cartridges. The color is exclusive to Hermes; made for use with their (Pilot-produced) Nautilus fountain pen, and luckily these cartridges are compatible with the Vanishing Point. I am carrying the Vanishing Point in a black leather Kingsley pen pouch.
My primary notebook is going to be a #12 FantasticPaper Color notebook from Germany (review to come). I have my pack list and travel checklist in a blue floral Word. Notebook and I am carrying my travel documents in a Midori Traverler’s Notebook. I have a Karas Kustoms Render K with a Pilot G2 refill in TN pen loop.
Finally, the three non-pen-related items are a Vostok Amphibian automatic watch, a 35mm Olympus XA2 camera and a Rimowa Topas Sport Trunk.
I am planning to continue posting about once a week. I have some interesting reviews coming up so please stay tuned.
Bomo Art makes some of my favorite leather bound journals and when I had the opportunity to visit their shop earlier this year in Budapest I decided to try one of their diaries/planners.
I struggle to use a diary consistently. Every year I tell myself I am going to use one to stay organized and if I am lucky, I keep it up for a few months but eventually it falls by the wayside. With this in mind I went for an A5 size half leather bound version with a weekly format.
They come in six sizes with a full or half leather binding. There are three layouts, I chose the vertical weekly layout.
You also get to chose from eight leather options, I chose dark brown, and there are numerous papers for the cover of half leather binding dairy. I chose an antique map paper.
My dairy cost about $15 USD which is a pretty reasonable price for a book of this quality.
The diaries are made by hand in Budapest with the diary contents by Diarpell of Italy.
The paper is thin but holds up very well to fountain pen ink. With such a thin page you do get some ghosting but nothing that would prevent me from writing on both sides.
The paper is ultra smooth with almost no feedback.
This diary layout was designed in 2000 and as such, it still has an address/phone number section. Apart from the address book this diary has no extras. There are no blank pages for notes nor pockets for loose papers.
The stitched binding is pretty nice. The signatures are not as small as you might find on some Japanese notebooks but the binding lays pretty flat so I have no complaints.
At the end of the day the Bomo Art is not a feature-rich diary but it’s beautiful looks and high-quality feel make up for it’s simplicity.
In writing this I realize I have yet to review any of their wonderful journals. It’s now on my to-be-reviewed list so stay tuned… they are beautiful.