The Pilot Explorer is an affordable fountain pen that competes directly with Pilot’s own Metropolitan fountain pen as well as other entry level pens like the Lamy Safari and TWSBI Swipe. Compared to the Metropolitan, the Explorer is more modern and masculine in appearance. It has a long slender body with rings at the end of the cap and the body that almost look like threading.
The snap cap features a large Pilot logo. Normally I don’t like big logos but on this pen the blind debossed logo looks great. There are two holes in the outer material of the cap. I am not sure if these are supposed to look like the windows on a ship or what but it is a distinctive look that adds to the industrial appearance of the pen. The clip is a black coated metal and blends very well with the cap and body resin material. The clip feels strong and robust. I do not think it is spring loaded.
The stainless steel nib is the same as you get on a Pilot Metropolitan and comes in Medium and Fine. I opted for the fine. These nibs tend to write one grade finer; a medium is more like a western fine and a fine is more like a western extra fine. It is possible to use Plumix nibs on these pens if you wanted a wider italic nib. The writing performance is excellent. I had no issues with skipping or hard starting. It was a perfect performer in the three weeks I’ve been using the pen.
The grip section is a translucent smoke colored plastic. You can see the feed through the section which looks great. Compared to the Metropolitan, the grip section is a little longer. The Explorer comes with a Con-B converter and an ink cartridge. Like all Pilot C/C pens they use their proprietary system but you do get a lot of options for converters as well as 7 ink cartridge colors to choose from.
When posted the pen does get long but it only weighs about 15 grams so there is no issue with the pen feeling top heavy. By comparison the Pilot Metropolitan with its metal body weighs around 25 grams. I found the Explorer to be very comfortable to write with.
Both the Metropolitan and Explorer retail for just under $30 and their street prices are under $24. So the question is which is better the Metropolitan or the Explorer? It is a tough call. I personally prefer the Explorer because I think it looks better and its lighter weight makes it more comfortable but for people wanting a more premium feeling pen the Metropolitan is hard to beat.
I received this pen free of charge from Pen Chalet for the purposes of this review. I was not compensated monetarily for my review. All views and opinions in this review are my own. The links in this review are not affiliate links.
In this 4K video I review the Pilot Custom 845 Fountain Pen. This is a high-end fountain pen with an urushi lacquered ebonite body and a solid 18kt gold nib. For a while this was the top of the line pen in the Pilot Custom Line.
There are a couple of cheap fountain pens on the market for around $3-$4 but in my experience there is only one good one and that is the Pilot Varsity (or V-Pen as it is know in other markets).
The Pilot Varsity is cheap disposable plastic-bodied fountain pen with a stainless steel nib. They come in seven colors and in only one nib grade: medium. [Edit: It has been brought to my attention that the Pilot “V-Pen” branded version is available with a fine nib (thank you Mark for the tip).]
The problem with most cheap fountain pens is a lack of quality control (and at $4 what do you expect?). Most of them work very poorly; the Platinum Preppy and Sailor Clear Candy immediately come to mind.
I have been using Varsity fountain pens for years now and I have only had one bad one. I have had closer to a 50% success rate with the Preppy.
The Varsity’s laser cut stainless steel nib is very smooth and quite springy. You can also write just as easily with the nib upside down. The medium point is on the finer side and should be agreeable to most users.
The ink is not waterproof and to my knowledge there is no way to refill a Varsity. Because of the rollerball-style feed you don’t have to worry (as much) about leaks or spills. These pens are as airplane friendly as your standard issue rollerball.
The body has a translucent grip section allowing you to see the feed and the body has a small ink view window.
The Varsity I photographed is the old pinstriped livery but everything else is the same on the current model.
The Varsity looks and feels inexpensive and as long as I can remember they have always been quite ugly. The new design is hideous as are the V-Pen branded models but they work well and that’s what counts.
If you want a cheap worry free fountain pen it’s hard to beat the Pilot Varsity.
About a year or so ago I saw the Pilot Super Ultra 500 on the Fountain Pen Network and I was blown away by its beautiful design. The hunt began and in September I was able to locate one in Italy.
The filling system needed a new sac so I sent it over to John Mottishaw for refurbishment. Now that I have had it in my hands for a few months I thought I would share my thoughts on this awesome pen.
Side note: It has occurred to me on a number of occasions that it is a bit silly to use a point rating system in my reviews as they are arbitrary despite my efforts to be objective as possible. I have found reviews of vintage pens to be the most problematic as the qualities of the same make and model can vary dramatically from one pen to the other and as such, it would be a mistake to fully extrapolate my experience (of one example) to another
The black plastic version is the most beautiful (and luckily the most common) 500. The ones with gold filled caps lose the wonderful mirrored design that make this pen so fantastic.
The inlaid gold nib is gorgeous and despite all of this beauty that I keep harping on about the pen is a reserved and understated elegance that I find very appealing.
This pen ticks all of the design boxes for me.
The majority of products that come out of Japan today are of a very high quality and I am certainly happy to pay a premium for a “made in Japan” product but in 1958 the sentiment was different; Japan was considered an emerging market that produced more affordable products. Does this have an affect on the quality of pens coming out of Japan in the late 50? I don’t know BUT I can confidently say that the 500 is of a high quality. Would consider it superior to a Montblanc or OMAS from the same time period? No, not really.
The black plastic body has held up quite well and the rolled 14kt gold trim is well done, though there is wear on the bottom of the cap ring.
From reading Bruno Taut’s wonderful articles on the 500 (please see the links to his site, Crónicas Estilográficas, at the bottom of this review) I learned that the 500 was considered to costly to manufacture and as a result was only produced for a couple of years.
Size & Weight
The 500 measures 14.1cm long capped and 12.7cm uncapped and 1.2cm at its widest point. The 500 weighs a comfortable 18.3 grams. This is a very nicely sized pen that I have had no problem writing with for extended periods of time.
The nib writes with an extra fine line by western standards but find the nib to be quite smooth despite it’s point size.
With a bit of pressure the solid 14kt gold nib does offer some line variation, though I am cautious not to push too hard as any damage to this nib would be a small tragedy.
I have not had any issues with hard starting or skipping. It is by all accounts a great nib.
The 500 has what is known as a “switch” or “quarter turn” filling system. To fill you insert the nib into a bottle of ink and move the notch 90 degrees, this makes the pressure bar squeeze the sac just like on a regular lever filler.
When I received the 500 I tested the mechanism and the sac had dried out. I asked a couple of well known restorers/nib meisters and to my surprise the first three said they wouldn’t work on the pen, not having worked on one before. John Mottishaw agreed to do the work and upon return the pen functioned beautifully.
When the pen ran out of ink I flushed it a few times and RATS! the pressure bar detached from the switch and back to Mottishaw again it went. This time he beefed up the internals a bit and it seems to be working.
This pen holds a good amount of ink but I wish the mechanism was more robust.
I picked up this pen for right around $600 and that is quite a lot of money for an old black pen. I have consulted with a few collectors and I was told that I got a decent deal.
The pen is beautiful but you really have to appreciate the design to justify spending the money. I want to use and enjoy this pen but if it breaks on me again I may have to let it go because what good is a pen that you can’t use?
The beautiful and rare 500 is a great writer that’s only hitch seems to be it’s fragile filling system.
Final Score 20/30
I would like to thank Mr. Bruno Taut for his excellent articles on the Pilot Super Ultra 500. Here are links to those articles (including disassembly instructions Ultra (III)).
The Custom 845 is Pilot’s top of the line fountain pen (limited editions and Namiki branded pens not included). The 845 retails for an eye-watering 500,000 YEN (approximately $495 USD) and has received some mixed reviews. People have questioned whether it should command a price near an entry-level Nakaya.
What do you get for $500?
You get Pilot’s largest (Pilot branded) #15 nib in two tone 18kt gold with a large “gem” carved ebonite body and urushi lacquer finish. You also get a black painted Con-70 converter and an upgraded box.
While in Japan I was able to play with a number of Pilot/Namiki pens and I ended up loving the Custom 845. Now that I have had a few weeks to put it through its paces let’s see how it stacks up.
The Custom 845 is a classic looking executive pen with a black body and yellow gold furniture. The cap has a flat top with a clip that starts broad and narrows ending with a ball.
The gold band at the bottom of the cap reads “* * * CUSTOM 845 * * * PILOT MADE IN JAPAN”. The letters are filled in with black (paint?) so they look nice and crisp. The back of the cap has “URUSHI” in gold letters.
The large two-tone #15 nib looks great and features some nice scrollwork on the silver center. I really like that Pilot puts a date stamp on these nibs. The left bottom corner of the nib is stamped “813” which translates to August 2013.
It’s hard to look at a pen like this and not think about Montblanc. The 845 with its flat top clearly isn’t a Meisterstück but it clearly is a Japanese take on a German style pen and that is definitely not a bad thing.
Many people, including myself, rave about Pilot’s build quality. I hadn’t spent much time with the Custom line before these last three weeks and while I still maintain that Pilot builds exceptional quality pens I do have some issues with the Custom 845 and the Custom 743 (review to come later).
To start let’s talk about the body of the 845. Above I said this pen has a lacquered ebonite body and it does….mostly, except for the section, the end of the body and the ends of the cap, which are plastic, or “resin” if that sounds more appetizing.
The plastic parts are not painted with urushi lacquer but nonetheless they do blend together well. The section has two visible seams and this to me is just wrong on a $500 pen.
To be fair these “issues” aren’t actual build quality problems but more an indication that this pen was built to a price. If you could build this pen without plastic and paint the entire pen in lacquer why wouldn’t you?
Other than the seams the fit and finish are flawless. The pen is sturdy and does not have the delicate feeling that a Nakaya has. With the 845, Pilot took a very practical design and really brought it to the next level by adding multiple coats of urushi lacquer. It is a wonderful pen to touch.
I compared the 845 to my Montblanc 149 and based on superficial fit and finish alone the Montblanc wins. The engraving on the ring of the 149 to me looks nicer and the Montblanc has no seams on its body despite being made entirely out of plastic.
I suspect that in the long-term the Pilot will hold up better than a 149 as the lacquer is much more scratch resistant than plastic and I have seen real problems with Montblanc quality. I have had plating issues with Montblancs as well as nib issues on brand new Montblanc pens; both things I have yet to see with any Pilot.
Size & Weight
The Custom 845 measures 5.7” capped and about 5.2” uncapped. At its widest point it is about 0.6” and weighs about 28.8 grams. The 845 is a good sized pen similar in girth to a 146 but closer to the 149 in length.
The 845 posts well and does have a good balance posted but for long writing sessions I prefer the 845 unposted. I believe most people would find the 845 to be a comfortable pen.
I sampled the fine, medium and broad nibs and found that the medium to be my favorite. Being Japanese, the medium is closer to a western fine. The Pilot-made # 15 18kt gold nib writes beautifully. I haven’t had any issues with skipping, hard starting or poor flow. The nib is somewhat soft for a standard nib and it is ultra smooth and responsive. It writes like a $500 pen should. The feel is phenomenal; in fact I believe it’s the best writing stock round tipped nib I have come across on a modern pen.
The Custom 845 uses Pilot’s famous Con-70 converter which is considered by many to be the best converter money can buy; despite this, the 845’s cartridge/converter filling system tends to receive some criticism as many people feel that the $200 cheaper Custom 823 offers more value with it’s vacuum filling system.
It is true that the vacuum filing system holds more ink and it is likely a more expensive mechanism but as a cartridge/converter lover the black Con-70 is pretty much perfect. The Con-70 holds more ink than most converters and has a unique push button mechanism that you push four times to fill.
The problem here is what do you compare the 845 to? At $550 a Nakaya is a great value and I know that because there are a lot of similar pens to compare it to.
The 845 is different, it’s more usable, it’s more solid feeling than a Nakaya, to me it’s an urushi Montblanc sans the status and for someone who wants that there aren’t many alternatives in this price range. I think $495 is about right for this pen. You will be hard pressed to find another high quality urushi fountain pen for less money and while it’s hard to call the 845 a steal it’s also hard to call it overpriced.
My ratings for this pen have been pretty harsh but I would like to mention that when I bought this pen I tired a TON of pens at the store including much more expensive Namiki pens with #20 and #50 nibs as well as a number of Sailors and Platinum pens. I liked the feel of the 845’s nib the best and I think I would pick the 845 again given the chance.
If a Montblanc and a Nakaya had a baby it would be the Pilot Custom 845.